Stage or Page? A Dub Performer or A Dub Poet? A Study of Linton Kwesi Johnsons’ Political Activism in “Five Nights of Bleeding” and “Di Great Insohreckshan”
Aman, Y. (2017). Stage or Page? A Dub Performer or A Dub Poet? A Study of Linton Kwesi Johnsons’ Political Activism in “Five Nights of Bleeding” and “Di Great Insohreckshan”. Cairo Studies in English, 2017(1), 284-298. doi: 10.21608/cse.2017.22742
MLA
Yasser Aman. "Stage or Page? A Dub Performer or A Dub Poet? A Study of Linton Kwesi Johnsons’ Political Activism in “Five Nights of Bleeding” and “Di Great Insohreckshan”". Cairo Studies in English, 2017, 1, 2017, 284-298. doi: 10.21608/cse.2017.22742
HARVARD
Aman, Y. (2017). 'Stage or Page? A Dub Performer or A Dub Poet? A Study of Linton Kwesi Johnsons’ Political Activism in “Five Nights of Bleeding” and “Di Great Insohreckshan”', Cairo Studies in English, 2017(1), pp. 284-298. doi: 10.21608/cse.2017.22742
VANCOUVER
Aman, Y. Stage or Page? A Dub Performer or A Dub Poet? A Study of Linton Kwesi Johnsons’ Political Activism in “Five Nights of Bleeding” and “Di Great Insohreckshan”. Cairo Studies in English, 2017; 2017(1): 284-298. doi: 10.21608/cse.2017.22742
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